My Poetry World at the Start of the New Year

Writing

Last year, my focus was concentrated on selecting and editing poems for my new collection which is scheduled for publication in 2026. Most of the poems were worked on with my mentor-editor earlier in 2025. A few additions and substitutions have been slotted in, as I continued working solo on the manuscript. The final selection and ordering, with my editor, will be completed this year. It will be a collection that doesn’t shy away from challenges faced and difficulties overcome, and which seeks to resonate with people who have been similarly tested, and who have grasped for stability in tempestuous times, stormy waters. My hope is that readers will emerge buoyed up from shared experiences, celebrating victories, with eyes focused steadily on a brighter horizon. 

Gloucestershire Stanza, Bishops Cleeve Poetry Club

Another commitment last year was to build on my work as the Stanza Representative for Gloucestershire. This has included twice-monthly poetry reading, writing and critiquing workshops at Bishops Cleeve Poetry Club, near Cheltenham which I took over from Claire Thelwell in 2024.

“A group for poets at any level of experience. Beginners are very welcome, as are people who have been writing for a while. We aim to be supportive, relaxed … and good fun. Poetry Club is organized and run by Sharon Larkin, a published poet who is passionate about bringing people together to experiment, share, develop their ideas … and write good poems!”  

Poetry Club has flourished and has included well-published poets, a Critical Writing MA graduate or two, a PhD student, enthusiastic beginners and up-and coming poets … spanning a wide age range. We continued to meet at Bishops Cleeve Bookshop in the evenings until late summer before moving to nearby Bishops Cleeve Library, enabling more stock to be accommodated at the bookshop in the lead-up to Christmas. Poetry Club members opted to remain in the spacious surroundings of the Library but we continue to be indebted to Will Williams of Cleeve Bookshop for having allowed us to meet in his shop after hours, enabling us to establish the club and to try out various formats for the workshops. We enjoyed returning to the shop for the Christmas Party and David Aldred’s launch of ‘Histories from the Cotswold Edge’ in December, and we will undoubtedly continue to attend launches and book signings in the months and years to come. It is a splendid bookshop, with a genuine community focus, and a flourishing line of  ‘signed editions’.  Prose fiction and non-fiction workshops are set to continue in the Bookshop, led by Steven John.

Poetry Club has devised a workshop method that includes giving and receiving constructive critiques on each other’s poems, before reading 4 – 5 poems from an anthology. Members then choose one of the anthology poems, responding to its theme or/and form, as inspiration for their own work in the intervening two weeks, bringing the resulting poems for critique at the next meeting. This has proved a successful formula, well supported by emailed notes on the anthology poems, and suggestions for our own writing. However, nothing is prescribed, and poets are always free to bring along a poem in response to whatever has excited or interested them during the previous fortnight.

The anthologies used in the workshops included the Forward Prize Anthology for 2025, Bloodaxe’s ‘Staying Alive’ anthology and, latterly, the Forward Anthology for 2026. Feedback from a member of the group received just before Christmas included these encouraging words: “Last night’s meeting … was informative and entertaining in equal measure. I enjoy the supportive critique … thank you for your beautiful poems and thank you Sharon in particular for your selfless support to us all.”  That kind of feedback makes it all worthwhile. It is indeed a lovely group of kindly and appreciative poets.

Cheltenham Poetry Society, and the Annual Awayday

The well-established Cheltenham Poetry Society, of which I continue to be a proud member – and a former Chair – was ‘grafted into’ the Gloucestershire Stanza during 2025, with the agreement CPS members and current Chairman, Roger Turner. This will further encourage collaboration and joint ventures, including offering places to Poetry Club members at the CPS annual Writing Awayday in the Spring, as well as to the wider circle of friends and associates that Cheltenham Poetry Society has already established. It will also allow CPS poets who are also members of the national Poetry Society to enter Stanza competitions, and enjoy all the other benefits associated with Poetry Society membership. Several prospective CPS members have reached out, after spotting the Gloucestershire Stanza contact details on the Poetry Society’s website.

The CPS Annual Awayday in April 2025 welcomed 17 poets for a whole day of workshops at Ellenborough Park, a five-star hotel in the pleasant village of Southam between the Cotswold Hills and Cheltenham Racecourse.  The topical themes were Flora and Fauna, and the poetry-theory themes included (1) a consideration of space, and ‘intentionality’ in terms of punctuation, and (2) the sonic structure of poems, eg how vowel sounds can be selected to achieve a desired effect and increase the impact of a line. I enjoyed preparing material for the ‘animal’ and ‘intentionality/punctuation’ themes, while Roger led on the ‘plant’ and ‘weight of words’ themes.  I was delighted that Cheltenham Arts Council – thanks to Elisa – featured my article about the CPS Awayday in their Perspectives magazine in June, including the following photographs of the poets attending: David Ashbee, Robin Gilbert, Sheila Spence, Tony Bradley, Nick Heap, Catherine Baker, Gill Wyatt, Penelope Howarth, Penny Lamport, Christine Griffin, Iris Anne Lewis, Judith van Dijkhuizen, Kirsty Bradbury, Annie Ellis, Emily Wills … and Roger Turner and me.  Huge thanks to Jess, Lucy and David at Ellenborough Park for helping us stage the event and to keep things running along smoothly on the day.

Publication and Competitions, 2025

In April I was delighted to learn that three of my poems had been successful in The Yaffle Prize 2025, with one commended poem ‘Dread or Kindred’ and two long-listed poems ‘At the Repair Shop’ and ‘Reconstruction Worker’.  I’m looking forward to the publication of the Whirlagust 2025 anthology which will include my poems, alongside the winning, and other commended and long-listed poems. Huge thanks to the competition judge, Antony Dunn, and to Mark and Gill Connors of Yaffle Press.

Also in April, I was glad to discover that my poem ‘Flashback’ was in the long-list for the Yaffle’s Nest BOAT – Best of All Time poetry competition for poetry inspired by music. I’m looking forward to reading all the ‘BOAT poems’ in the forthcoming anthology. Congratulations to the winners, and to the commended and other long-listed poets. Thanks to judge Emma Purshouse and another big thanks to the Dynamic Duo, Gill and Mark Connors, for running the competition … and for everything they do for poetry.

I was very pleased that my poem ‘Flight Recorder’ which won first prize in The Black Box competition in Jack Caradoc’s Dreich magazine in 2022 featured again as a ‘Retread’ in Issue 3 of his new magazine, The Candyman’s Trumpet, in September 2025.  A big ‘thank you’ … twice … to Jack Caradoc. 

In August I was chuffed to discover that my double dactyl, celebrating Garry Kasparov, the chess player, was a ‘Double Dactyl of the Week’, selected by Andy Jackson who runs the excellent website. https://doubledactyls.wordpress.com/2025/08/14/double-dactyl-of-the-week-135/  
Then in November, my double dactyl on Boris Pasternak was selected for ‘Double Dactyl of the Week’ https://doubledactyls.wordpress.com/2025/11/20/double-dactyl-of-the-week-149/  
Russian names certainly lend themselves to the DD form.
Thanks, Andy, twice!

In the autumn, the What We Inherit from Water anthology was published by Yaffle Press, resulting from the Inaugural Yaffle’s Nest competition. I was pleased that my prose poem  Brookside was listed in the competition and is included in the book. Thanks again to Mark and Gill Connors. It’s a super cover for the super contents of this book!

By the end of the year, the draft of Gill Connors’ anthology Safety in Numbers was available, to the delight of the many contributing poets. I am thrilled that my poem ‘Battling On’ features in this ground-breaking book … a project which forms part of Gill’s PhD. I’m looking forward to the publication of this notable anthology in time for International Women’s Day in March 2026, and to the launch events and the surrounding publicity which is already building … apparently including a mention by Mark Connors in an edition of the BBC’s The Verb to be broadcast in February 2026.

Performances

On 31 August I was very happy to find myself co-headlining – again – with David Cooke on The Poetry Place on West Wilts Radio, thanks to Dawn Gorman who curates, co-produces and hosts the programme  https://westwiltsradio.com/shows/the-poetry-place-with-david-cooke-sharon-larkin-68-31-08-25/  This was a rerun of the programme first streamed in November 2021, and it also featured poems by Rosie Jackson, Ruth Sharman, Sue Proffitt, Pratibha Castle, Frances Anne-King, John Wheway, Verona Bass, Eileen Anne Gordon, and of course Dawn Gorman and co-producer Peter O’Grady. Thanks to Dawn, Peter and WWR.

On 28 October I spent a super afternoon with a lovely audience who listened attentively to my poems and appreciated my projected photos. With nearly two hours to fill, I was able to share 18 poems … and a whole slide-show of related photographs, with a break in the middle for tea and a chat with the lovely members of Evesham and District Pensioners’ Association. My poems ranged over music at school in Evesham, performing in nativity plays, poems about the Worcestershire village I grew up in, attempting to keep fit in one’s latter years, and poems about some of my favourite Cotswold villages, a flashback to that strange Covid year of 2000, and some poems about being a mother – and recently becoming a grandmother. Thanks to Ann and Andrew Dingley – my nephew – for inviting me. It was good to chat to several people about poetry, life, and memories held in common, especially from schooldays and childhood in the Vale. Such a friendly group of people and a superb venue!

On 31 October, I was very pleased to read a selection of eight poems at Cheltenham’s Poetry Cafe in the Library, thanks to Annie Ellis who organizes this popular monthly event. My themes were Visitations and Appearances, and ranged from the outskirts of New Delhi, to a future alien encounter on a British beach, to a construction site possibly in South America, possibly closer to home, to a Cheltenham Repair Shop, to doctors’ surgeries in Cheltenham and somewhere in Germany, to my son’s teenager bedroom, and finally to a site of archaeological and sociological interest … somewhere. There was a full house, all seats occupied, a warm welcome, a super friendly and attentive audience, and an all-round positive occasion with smiles from so many poet-friends. I renewed friendships with some lovely poets I hadn’t seen for a while, made new friends, and even sold some books! Excellent hosting plus super-efficient organization by Annie, and first-rate reception and venue thanks to Cheltenham Library and staff.

I was blessed on 22 December to have my poem ‘Something for Christmas’ read at a carol service in Llanfaredd near Llanfair ym Muallt (Builth Wells) in Powys. This was all thanks to my cousin Ruth who lives in the area and it was doubly pleasing because the church of Llanfaredd is important in our shared family history. It felt extra special to know the poem was read, and heard, in the parish church where my great grandparents are buried, alongside uncles, aunts and cousins, and collocated with the farm that continues in the family.

As the year neared its end, I very much enjoyed Yaffle’s Christmas Party on-line, with readings from the ‘Linger’ collaboration between Mark Connors, Liz McPherson and Sandra Noel … the first in Yaffle’s ‘Three Little Birds’ series. Other poets were invited to read two poems in the ‘open mic’ following the headline readers. I was pleased to be able to share my Christmas themed poems ‘A Seasonal Fabrication’ and ‘The Ins and Outs of Christmas’.

Endorsements, Reviews, Mentoring

In September, I was pleased to write and endorsement of David Elder’s collection ‘White Fox’ ahead of publication. It is an excellent collection which I heartily recommend.

In November, I had the pleasure of being asked to read a manuscript for a potential collection and to make recommendations for edits and ordering. I won’t name the poet just yet, but will fanfare the collection when it is taken by a publisher, which it is sure to be.  I’ll just thank the poet for entrusting her work to me for comment at this important stage of the manuscript’s development.

Anniversaries

December seems to be a month of  ‘poetry anniversaries’ for me. 12 December marked the seventh anniversary of the publication of my pamphlet ‘Interned at the Food Factory’ from Indigo Dreams. 15 December was the fifth anniversary of the publication of my collection Dualities from Hedgehog Poetry Press. Also, 6 years ago, saw the publication of the Cheltenham Poetry Society anthology ‘Poetry from Gloucestershire’, co-curated and co-edited by Roger Turner and me, and published by my Eithon Bridge imprint. Since then, Eithon Bridge has gone on to published other CPS anthologies: ‘Inspired by Music’ and ‘The Elements’, with Roger and me co-editing.

A sad anniversary also arrived this December, when poet-friends of Michael Newman recalled his sudden passing, late in 2024. He was not only a dear friend-in-poetry but foundational to the relaunch of Cheltenham Poetry Society last century, a former Chairman, and an indispensable and loyal member, over many decades. As the current Chairman Roger Turner says, Michael was an entirely benevolent influence in workshops and meetings. He was also a regular performer at monthly Poetry Café Refreshed events in Cheltenham. But, most of all, he was an inspiration and example to many of us in his quiet, faith-filled, family-centred, nature-loving, music-loving, poetry-filled life. We will continue to miss Michael in Gloucestershire, especially, but his influence and reputation ripple out beyond this town and county, reaching South, as a regularly contributor to the magazine of that name, and a familiar name in Indigo Dreams Reach magazine. His reputation as a fine poet spread westwards too – to the shores of Ceredigion and his beloved Borth. Danielle Hope of Acumen liaised with CPS ahead of including Michael’s poem ‘March Morning’ in edition 113 of Agenda, together with words of remembrance for a much loved and respected poet.

Other Activities

As well as poetry, my artistic endeavours in 2025 continued to include photography, mostly of the countryside and wildlife of the Gloucestershire/Worcestershire border, with occasional forays into Wales, and regular close-up photography of the Moon in its various phases. My photographs have appeared in several of the previously mentioned Cheltenham Poetry Society anthologies, as well as local calendars. This year, I was really pleased to be able to combine poetry and photography in the event in Evesham on 28 October.

Since the middle of 2024, I have also been trying my hand at drawing and painting, attending a weekly art class held at Elim in Cheltenham, run by Rose. And since mid-2025, I’ve joined another weekly class held at St Marks in Cheltenham, co-led by Jean and Gill. Both groups are supportive and friendly, the former specialising in water colour, the second majoring in acrylics. The Elim group held a summer exhibition in July, where over 100 paintings by the artists in the group were on display, the majority for sale with proceeds destined for Cheltenham Food Bank.

I had three landscapes and two animal paintings for sale … and a kingfisher painting based on one of my best wildlife photographs from the year. Here are the six exhibits of mine from that event: kingfisher, deer, fox and cub, winter scene, cottage in the country, and cottage in an imaginary landscape.

In addition, a variety of desk calendars have been produced for 2026, with thanks to Bean Baker of Elim. One of the calendars includes a watercolour of mine, and another of which includes three of my paintings. The subjects of these were a red squirrel, a robin, toadstools and autumn leaves. Thanks to Bean and Rose, and all other members of the Art Club for their friendship and encouragement.

The St Marks group also exhibits paintings at various times of year in the hall where we meet, which is widely used by other groups, notably Cheltenham Ballroom Dance School, and so these paintings get excellent visibility! I was pleased to have an acrylic painting in the autumn exhibition, featuring another squirrel, and two paintings in the Christmas exhibition: another robin, and a row of colourful Christmas stockings. With some trepidation, I look forward to next term, when the project for the next exhibition will be the human form and portraiture. Now, that will test my ‘beginner’s luck’!  The last session before Christmas took the form of a ‘bring and share lunch’ … and I was invited to share a poem, choosing a new poem, ‘Ways of Seeing’, which features an imaginary visit to an art gallery. It seemed appropriate and went down well with the other artists in the group.  I do love opportunities such as these … to combine the arts. Thanks again to Gill and Jean, and all the other members of the group.

All year, I have also enjoyed cryptic crossword sessions led by Melanie Branton over messages … and Zoom, where some real crossword whizzes come together to solve the ingenious puzzles created by Melanie. I was very much a novice to start with, much better at intuiting answers than actually working out the clues to point to their solution. But Melanie’s excellent hints and tips over the weeks and months, and especially the practice crosswords she provides, ahead of letting us have a go at ‘the real thing’ have helped a great deal. Melanie is very patient, encouraging and enthusiastic, and the rest of the group is friendly and supportive, with just the right amount of competitive spirit! Thank you, Melanie, and everyone in the group, for encouraging my latest hobby.

A Happy New Year

Well, that’s my round-up of 2025. Here’s to a productive, accomplished, fulfilled, rewarding, healthy and wholly positive 2026 … for us all, whatever our artistic endeavours, and however we spend our time.

A Round-up of 2021 …  or Poetry, in Spite of Everything

Continuing ‘a mission, against the odds’ might sound like an over-statement in the context of writing poetry, publishing and getting published, during a pandemic, but for many writers and publishers, it has been nothing short of heroic. Vanishing opportunities for meeting with kindred spirits, performing work and maintaining a ‘platform’ have, of course, been mitigated by the ‘mushrooming of Zoom’ – thanks to which, poetry readings, ‘open-mic’ opportunities, workshopping, mentoring and book launches have all continued to happen. These have in many cases provided national and international ‘stages’ in contrast to the pre-pandemic local poetry venues many poets loyally attended every month. Poetry podcasts, streamed events and spots on digital radio have also been growth areas. 

All very positive, but perhaps the bigger impact of the pandemic on the ‘poetry mission’ has been ‘mindset’ rather than ‘opportunity’. The lockdowns, with the isolation and loneliness for many, had a depressing impact for some, reducing productivity and the inclination to do anything other than slump. Mercifully, I have not spent the last eighteen months alone, as some fellow writers … the heroes amongst us … have done. I don’t know how I would have fared without Mr. L. Thank you, my love.  

Post-lockdown, justifiable caution of face-to-face events continued for the more vulnerable poets among us, and for all of us, socialising in-person, after so long, was met with mixed emotions … pleasure and anxiety, to greater or lesser degrees. Let’s hope 2022 will be better for us all.

Looking back at previous end-of-year reviews, it is clear that my productivity was lower in 2021 than in preceding years – even lower than in 2020, when we had stricter lockdowns, and more fear and uncertainty generally.  However, there have been a lot of ‘poetry things’ to be thankful for in 2021 … and a lot of ‘poetry people’ to thank …

Dualities in 2021

First of all, a big thank you to Mark Davidson of Hedgehog Poetry Press for including my collection, ‘Dualities’ (published in late 2020) in the bumper Hedgehog Poetry ‘goodie box’ sent out to subscribers in the first quarter of 2021. I was thrilled that my book was in such great company, along with Dawn Gorman’s & Rosie Jackson’s ‘Aloneness is a Many-Headed Bird’, Margaret Royall’s ‘Where Flora Sings’, Gaynor Kane’s & Karen Mooney’s ‘Penned In’, Patricia M Osborne’s ‘The Montefiore Bride’, Darren J Beaney’s ‘Honeydew’, Adele Cordner’s ’The Kitchen Sink Chronicles’, Damien B Donnelly’s ‘Considering Canvases With Boys’, and Jenna Please’s ‘The Underside of Things’.  

Next, I am indebted to Nigel Kent for the generous review of Dualities on his website in April 2021. This was preceded by an invitation for me to submit one of the poems in the book for Nigel’s ‘Drop-in’ feature. The two links are here:

I was very encouraged by comments received in 2021 from a former colleague who, having recently read Dualities, wrote: ‘Thoroughly enjoyed it. Some gorgeous imagery, delightful turns of phrase and the occasional construct I simply didn’t understand – which adds to the enjoyment. Great stuff. Thanks for sharing your talent!’ I was delighted that the imagery, turns of phrase … and the puzzles too … pleased this particular reader, whose judgement I very much respect.

Copies of ‘Dualities’ can be purchased from Hedgehog Poetry Press: https://www.hedgehogpress.co.uk/product-category/for-sale/hoglets/sharon-larkin/
or from my website https://sharonlarkinjones.com/shop

Poems in Magazines/e-zines and Anthologies

The year started well with Ink Sweat and Tears, taking my poem ‘Post-operative’ in January, thanks to the wonderful Helen Ivory. 

I wrote the poem ‘At the Foot of the Tree’ for Good Friday 2021, at the invitation of Elim Church, Cheltenham. Thanks to Bean Baker for creating the poetry film, with music, and uploading it to You Tube https://www.youtube.com/watch?v=xi3OUOR8LP8&t=38s and thanks to all the lovely feedback, especially from Sandra Kemp and Sheila Hurst in Cheltenham … and Elaine and Carri in Arizona!

Thanks to Visual Verse for taking three of my poems, in April, June and September 2021.

I was grateful to Veronica Aaronson for taking two of my poems for her anthology ‘Despite Knowing’ in support of a charity providing counselling for those in recovery from addictions. 

It had long been an ambition of mine to print-publish an anthology of poems celebrating fathers and fatherhood (see Good Dadhood, below). Now, thanks to Aurélien Thomas, I can let that ambition lapse because in 2021 he selected and edited  ‘To Dads – with Love’, illustrated/designed by JinQue RD and published by Ayo Gutierrez. I’m glad that some of my ‘Dad poems’ are in the book, along with poems by poet-friends Angela France, Michael Newman, Catherine Baker, Christine Griffin and Frances March … and many other poets, worldwide. I was pleased to be invited by Aurélien Thomas to write the foreword for the book. The resulting volume is a handsome one … available from Amazon https://www.amazon.co.uk/Dads-Love-Aurelien-Thomas/dp/B096TN7NN7

I’m always pleased when my love of poetry and love of Wales and Welsh coalesce. Thanks to photographer Ieuan Morris for including part of a translation I did of the poem ‘Melin Trefin’ by William Williams Crwys in Ieaun’s splendid book ‘Photographing Pembrokeshire’ (published, September 2021) and thank you to Victoria Bookshop in Haverfordwest for supplying me with a signed copy of the book. Copies are available from the publisher y Lolfa https://www.ylolfa.com/products/9781784617547/photographing-pembrokeshire as well as Amazon.

Another Welsh opportunity came in September when I  was contacted by Ennyn, a community interest company based in Ceredigion, delivering bilingual educational art workshops in schools and communities. They commissioned a folk singer, Owen Shiers, to compose and sing a sung version of the poem ‘Y Border Bach’, another poem by William Williams Crwys, which I have translated and which Ennyn found on my website https://sharonlarkinjones.com/…/another-crwys-poem…/.  My translation is to appear on the Ennyn website, alongside a recording of the song. 

I’m hopeful that one of my poems shortlisted for Hedgehog Poetry’s  ‘Looking Out, Peering In’ competition, will be included in the anthology at some stage.

Readings given … and in prospect

February brought my first opportunity to read in 2021, thanks to Veronica Aaronson who invited my to share poems in two 10 minute slots, along with Frances Corkey-Thompson, at Poetry Teignmouth at the Mill, via Zoom, on 23 February. There was a lovely audience on-line, with wonderful sets from Frances and an excellent ‘open mic’. A big thank you to Veronica for making it all happen, expertly organizing and sensitively hosting such a welcome opportunity for poets to present their work to an audience during the lockdown. The first and last poems I read were the first and last in my Dualities – Two Old Sticks and Firewords – seemed to go down best at the event. And one of the additional benefits of Zoom is that comments in chat are quick to copy before shut-down, so that responses to individual poems can be captured … valuable feedback!

I was again grateful to Veronica Aaronson for including me in the zoom launch event for the anthology’ Despite Knowing’ (see above) which took place in October. I was glad to read one of my poems from the book, in excellent company alongside a large contingent of contributing poets, including poet-friends Stella Wulf, Marc Woodward, Oz Hardwick, Vivienne Tregenza, Rachael Clyne, Kevin Reid, Hannah Stone and Jenny Robb. 

Now I am looking forward to attending a live launch event for ‘Despite Knowing’ at the Pavilions in Teignmouth in May 2022, Covid permitting. Thanks again to Veronica Aaronson for this invitation.


Another opportunity to share a poem or two on Zoom came thanks to Josephine Lay, at a reading for International Women’s Day on 8 March, joining with 17 other women poets, sharing one of our own poems, and one by another poet. I was pleased to share one by Christina Thatcher, whose work I very much enjoy. 

Two opportunities came to read on The Poetry Place, West Wilts Radio, thanks to Dawn Gorman. The first of these was an ‘open mic’ opportunity in August, when I shared three short poems on the programme at which Penelope Shuttle and June Hall were the guest poets. The second, exciting, opportunity came in November when I was a guest poem on The Poetry Place with David Cooke, with another great band of poets at the ‘open mic’. Thanks again to Dawn Gorman for The – wonderful – Poetry Place on West Wilts Radio


Publishing

I opened the Good Dadhood on-line poetry project for submissions on 1 April, publishing poems at the rate of twice a week until Father’s Day in mid-June, I’m proud of what Good Dadhood has become over its three ‘editions’ (2017, 2020. 2021) and the response from poets has been uplifting … in terms of the quantity and quality of poems submitted, often accompanied by photographs of or with Dads. It has been so good to have an opportunity to celebrate fathers and fatherhood in this way. You can read the poems and see the photos here: https://wordpress.com/home/gooddadhood.com  Thanks to the following poets for their contributions in 2021: Angie Holden, Sarah J Bryson, Suzanne Iuppa and Val Ormrod, Mark Connors, Ben Banyard, Zoë Siobhan Howarth-Lowe, Helen Kay, David Callin, Rodney Wood, Neil Elder, Janet Dean, Hannah Mackay, Carmina Masoliver, Hilary Robinson, Maggie Mackay,Kate Jenkinson, Finola Scott,George Colkitto, Catherine Baker,Peter Raynard, Rachael Clyne, Tom Kelly, Susan Castillo, Greg Freeman, Louise Warren, Jenni Wyn Hyatt.

My biggest publication project of the year came in the last quarter of 2021, with ‘Inspired by Music’, a new anthology from Cheltenham Poetry Society and Gloucestershire Stanza, which I  published through Eithon Bridge Publications in November.  Produced in just 12 weeks from the submission deadline to collecting the books from the printer, the anthology features 57 poems by 17 poets, with 25 carefully selected images to accompany the words. It was good to gather together with a dozen of the contributing poets at Pittville Pump Room in Cheltenham in early December, to collect copies, catch-up, and have an outdoor Covid-safe celebratory coffee together. Thanks to all the poets: Kathryn Alderman, David Ashbee, Catherine Baker, Annie Ellis, David Gale, Gill Garrett, Robin Gilbert, Chris Hemingway, Sharon Larkin, Iris Anne Lewis, Michael Newman, Stuart Nunn, Gillian Ridley-Wells, Belinda Rimmer, Sheila Spence, Roger Turner, Judith van Dijkhuizen; an especial thanks to Roger Turner for co-selecting/co-editing and to Stroudprint for first-rate printing services. Thanks to Mr L who helped enormously with proof-reading. Thanks to Oz Hardwick, Mark Connors and Mark Blayney for providing endorsements for the book. Further information and ordering info are here: https://eithonbridge.com/anthologies/

We still haven’t officially launched ‘Inspired by Music’ … or, indeed. our previous anthology ‘Poetry from Gloucestershire’, the launch for which had to be cancelled in early 2020 because of the pandemic.  I hope we will have opportunities to read from both books during the coming year.  We are open to offers!

Workshops attended

Thanks for Mark Connors (again) and Gill Lambert for their great Wednesday Wordship workshops on Zoom which I joined in the last quarter of 2021. 

And thanks to Angela France for her excellent workshops I attended while they were on Zoom in 2021 with other members of the Women Aloud group: Penny Howarth, Judith van Dijkhuizen, Frankie March, Gill Garrett, Christine Griffin and Catherine Baker. 

Thanks to so many poets for their poetry friendship, especially local friends Belinda Rimmer, Catherine Baker and Gill Wyatt.

Looking ahead

Thanks to Sarah L Dixon for the invitation to be part of her Quiet Compere event in August 2022, 

and, again, thanks to Veronica Aaronson for the possibility of reading a poem at the live launch of ‘Despite Knowing’ in Teignmouth in May.  

As ever, I am open to other reading opportunities!