My Poetry World at the Start of the New Year

Writing

Last year, my focus was concentrated on selecting and editing poems for my new collection which is scheduled for publication in 2026. Most of the poems were worked on with my mentor-editor earlier in 2025. A few additions and substitutions have been slotted in, as I continued working solo on the manuscript. The final selection and ordering, with my editor, will be completed this year. It will be a collection that doesn’t shy away from challenges faced and difficulties overcome, and which seeks to resonate with people who have been similarly tested, and who have grasped for stability in tempestuous times, stormy waters. My hope is that readers will emerge buoyed up from shared experiences, celebrating victories, with eyes focused steadily on a brighter horizon. 

Gloucestershire Stanza, Bishops Cleeve Poetry Club

Another commitment last year was to build on my work as the Stanza Representative for Gloucestershire. This has included twice-monthly poetry reading, writing and critiquing workshops at Bishops Cleeve Poetry Club, near Cheltenham which I took over from Claire Thelwell in 2024.

“A group for poets at any level of experience. Beginners are very welcome, as are people who have been writing for a while. We aim to be supportive, relaxed … and good fun. Poetry Club is organized and run by Sharon Larkin, a published poet who is passionate about bringing people together to experiment, share, develop their ideas … and write good poems!”  

Poetry Club has flourished and has included well-published poets, a Critical Writing MA graduate or two, a PhD student, enthusiastic beginners and up-and coming poets … spanning a wide age range. We continued to meet at Bishops Cleeve Bookshop in the evenings until late summer before moving to nearby Bishops Cleeve Library, enabling more stock to be accommodated at the bookshop in the lead-up to Christmas. Poetry Club members opted to remain in the spacious surroundings of the Library but we continue to be indebted to Will Williams of Cleeve Bookshop for having allowed us to meet in his shop after hours, enabling us to establish the club and to try out various formats for the workshops. We enjoyed returning to the shop for the Christmas Party and David Aldred’s launch of ‘Histories from the Cotswold Edge’ in December, and we will undoubtedly continue to attend launches and book signings in the months and years to come. It is a splendid bookshop, with a genuine community focus, and a flourishing line of  ‘signed editions’.  Prose fiction and non-fiction workshops are set to continue in the Bookshop, led by Steven John.

Poetry Club has devised a workshop method that includes giving and receiving constructive critiques on each other’s poems, before reading 4 – 5 poems from an anthology. Members then choose one of the anthology poems, responding to its theme or/and form, as inspiration for their own work in the intervening two weeks, bringing the resulting poems for critique at the next meeting. This has proved a successful formula, well supported by emailed notes on the anthology poems, and suggestions for our own writing. However, nothing is prescribed, and poets are always free to bring along a poem in response to whatever has excited or interested them during the previous fortnight.

The anthologies used in the workshops included the Forward Prize Anthology for 2025, Bloodaxe’s ‘Staying Alive’ anthology and, latterly, the Forward Anthology for 2026. Feedback from a member of the group received just before Christmas included these encouraging words: “Last night’s meeting … was informative and entertaining in equal measure. I enjoy the supportive critique … thank you for your beautiful poems and thank you Sharon in particular for your selfless support to us all.”  That kind of feedback makes it all worthwhile. It is indeed a lovely group of kindly and appreciative poets.

Cheltenham Poetry Society, and the Annual Awayday

The well-established Cheltenham Poetry Society, of which I continue to be a proud member – and a former Chair – was ‘grafted into’ the Gloucestershire Stanza during 2025, with the agreement CPS members and current Chairman, Roger Turner. This will further encourage collaboration and joint ventures, including offering places to Poetry Club members at the CPS annual Writing Awayday in the Spring, as well as to the wider circle of friends and associates that Cheltenham Poetry Society has already established. It will also allow CPS poets who are also members of the national Poetry Society to enter Stanza competitions, and enjoy all the other benefits associated with Poetry Society membership. Several prospective CPS members have reached out, after spotting the Gloucestershire Stanza contact details on the Poetry Society’s website.

The CPS Annual Awayday in April 2025 welcomed 17 poets for a whole day of workshops at Ellenborough Park, a five-star hotel in the pleasant village of Southam between the Cotswold Hills and Cheltenham Racecourse.  The topical themes were Flora and Fauna, and the poetry-theory themes included (1) a consideration of space, and ‘intentionality’ in terms of punctuation, and (2) the sonic structure of poems, eg how vowel sounds can be selected to achieve a desired effect and increase the impact of a line. I enjoyed preparing material for the ‘animal’ and ‘intentionality/punctuation’ themes, while Roger led on the ‘plant’ and ‘weight of words’ themes.  I was delighted that Cheltenham Arts Council – thanks to Elisa – featured my article about the CPS Awayday in their Perspectives magazine in June, including the following photographs of the poets attending: David Ashbee, Robin Gilbert, Sheila Spence, Tony Bradley, Nick Heap, Catherine Baker, Gill Wyatt, Penelope Howarth, Penny Lamport, Christine Griffin, Iris Anne Lewis, Judith van Dijkhuizen, Kirsty Bradbury, Annie Ellis, Emily Wills … and Roger Turner and me.  Huge thanks to Jess, Lucy and David at Ellenborough Park for helping us stage the event and to keep things running along smoothly on the day.

Publication and Competitions, 2025

In April I was delighted to learn that three of my poems had been successful in The Yaffle Prize 2025, with one commended poem ‘Dread or Kindred’ and two long-listed poems ‘At the Repair Shop’ and ‘Reconstruction Worker’.  I’m looking forward to the publication of the Whirlagust 2025 anthology which will include my poems, alongside the winning, and other commended and long-listed poems. Huge thanks to the competition judge, Antony Dunn, and to Mark and Gill Connors of Yaffle Press.

Also in April, I was glad to discover that my poem ‘Flashback’ was in the long-list for the Yaffle’s Nest BOAT – Best of All Time poetry competition for poetry inspired by music. I’m looking forward to reading all the ‘BOAT poems’ in the forthcoming anthology. Congratulations to the winners, and to the commended and other long-listed poets. Thanks to judge Emma Purshouse and another big thanks to the Dynamic Duo, Gill and Mark Connors, for running the competition … and for everything they do for poetry.

I was very pleased that my poem ‘Flight Recorder’ which won first prize in The Black Box competition in Jack Caradoc’s Dreich magazine in 2022 featured again as a ‘Retread’ in Issue 3 of his new magazine, The Candyman’s Trumpet, in September 2025.  A big ‘thank you’ … twice … to Jack Caradoc. 

In August I was chuffed to discover that my double dactyl, celebrating Garry Kasparov, the chess player, was a ‘Double Dactyl of the Week’, selected by Andy Jackson who runs the excellent website. https://doubledactyls.wordpress.com/2025/08/14/double-dactyl-of-the-week-135/  
Then in November, my double dactyl on Boris Pasternak was selected for ‘Double Dactyl of the Week’ https://doubledactyls.wordpress.com/2025/11/20/double-dactyl-of-the-week-149/  
Russian names certainly lend themselves to the DD form.
Thanks, Andy, twice!

In the autumn, the What We Inherit from Water anthology was published by Yaffle Press, resulting from the Inaugural Yaffle’s Nest competition. I was pleased that my prose poem  Brookside was listed in the competition and is included in the book. Thanks again to Mark and Gill Connors. It’s a super cover for the super contents of this book!

By the end of the year, the draft of Gill Connors’ anthology Safety in Numbers was available, to the delight of the many contributing poets. I am thrilled that my poem ‘Battling On’ features in this ground-breaking book … a project which forms part of Gill’s PhD. I’m looking forward to the publication of this notable anthology in time for International Women’s Day in March 2026, and to the launch events and the surrounding publicity which is already building … apparently including a mention by Mark Connors in an edition of the BBC’s The Verb to be broadcast in February 2026.

Performances

On 31 August I was very happy to find myself co-headlining – again – with David Cooke on The Poetry Place on West Wilts Radio, thanks to Dawn Gorman who curates, co-produces and hosts the programme  https://westwiltsradio.com/shows/the-poetry-place-with-david-cooke-sharon-larkin-68-31-08-25/  This was a rerun of the programme first streamed in November 2021, and it also featured poems by Rosie Jackson, Ruth Sharman, Sue Proffitt, Pratibha Castle, Frances Anne-King, John Wheway, Verona Bass, Eileen Anne Gordon, and of course Dawn Gorman and co-producer Peter O’Grady. Thanks to Dawn, Peter and WWR.

On 28 October I spent a super afternoon with a lovely audience who listened attentively to my poems and appreciated my projected photos. With nearly two hours to fill, I was able to share 18 poems … and a whole slide-show of related photographs, with a break in the middle for tea and a chat with the lovely members of Evesham and District Pensioners’ Association. My poems ranged over music at school in Evesham, performing in nativity plays, poems about the Worcestershire village I grew up in, attempting to keep fit in one’s latter years, and poems about some of my favourite Cotswold villages, a flashback to that strange Covid year of 2000, and some poems about being a mother – and recently becoming a grandmother. Thanks to Ann and Andrew Dingley – my nephew – for inviting me. It was good to chat to several people about poetry, life, and memories held in common, especially from schooldays and childhood in the Vale. Such a friendly group of people and a superb venue!

On 31 October, I was very pleased to read a selection of eight poems at Cheltenham’s Poetry Cafe in the Library, thanks to Annie Ellis who organizes this popular monthly event. My themes were Visitations and Appearances, and ranged from the outskirts of New Delhi, to a future alien encounter on a British beach, to a construction site possibly in South America, possibly closer to home, to a Cheltenham Repair Shop, to doctors’ surgeries in Cheltenham and somewhere in Germany, to my son’s teenager bedroom, and finally to a site of archaeological and sociological interest … somewhere. There was a full house, all seats occupied, a warm welcome, a super friendly and attentive audience, and an all-round positive occasion with smiles from so many poet-friends. I renewed friendships with some lovely poets I hadn’t seen for a while, made new friends, and even sold some books! Excellent hosting plus super-efficient organization by Annie, and first-rate reception and venue thanks to Cheltenham Library and staff.

I was blessed on 22 December to have my poem ‘Something for Christmas’ read at a carol service in Llanfaredd near Llanfair ym Muallt (Builth Wells) in Powys. This was all thanks to my cousin Ruth who lives in the area and it was doubly pleasing because the church of Llanfaredd is important in our shared family history. It felt extra special to know the poem was read, and heard, in the parish church where my great grandparents are buried, alongside uncles, aunts and cousins, and collocated with the farm that continues in the family.

As the year neared its end, I very much enjoyed Yaffle’s Christmas Party on-line, with readings from the ‘Linger’ collaboration between Mark Connors, Liz McPherson and Sandra Noel … the first in Yaffle’s ‘Three Little Birds’ series. Other poets were invited to read two poems in the ‘open mic’ following the headline readers. I was pleased to be able to share my Christmas themed poems ‘A Seasonal Fabrication’ and ‘The Ins and Outs of Christmas’.

Endorsements, Reviews, Mentoring

In September, I was pleased to write and endorsement of David Elder’s collection ‘White Fox’ ahead of publication. It is an excellent collection which I heartily recommend.

In November, I had the pleasure of being asked to read a manuscript for a potential collection and to make recommendations for edits and ordering. I won’t name the poet just yet, but will fanfare the collection when it is taken by a publisher, which it is sure to be.  I’ll just thank the poet for entrusting her work to me for comment at this important stage of the manuscript’s development.

Anniversaries

December seems to be a month of  ‘poetry anniversaries’ for me. 12 December marked the seventh anniversary of the publication of my pamphlet ‘Interned at the Food Factory’ from Indigo Dreams. 15 December was the fifth anniversary of the publication of my collection Dualities from Hedgehog Poetry Press. Also, 6 years ago, saw the publication of the Cheltenham Poetry Society anthology ‘Poetry from Gloucestershire’, co-curated and co-edited by Roger Turner and me, and published by my Eithon Bridge imprint. Since then, Eithon Bridge has gone on to published other CPS anthologies: ‘Inspired by Music’ and ‘The Elements’, with Roger and me co-editing.

A sad anniversary also arrived this December, when poet-friends of Michael Newman recalled his sudden passing, late in 2024. He was not only a dear friend-in-poetry but foundational to the relaunch of Cheltenham Poetry Society last century, a former Chairman, and an indispensable and loyal member, over many decades. As the current Chairman Roger Turner says, Michael was an entirely benevolent influence in workshops and meetings. He was also a regular performer at monthly Poetry Café Refreshed events in Cheltenham. But, most of all, he was an inspiration and example to many of us in his quiet, faith-filled, family-centred, nature-loving, music-loving, poetry-filled life. We will continue to miss Michael in Gloucestershire, especially, but his influence and reputation ripple out beyond this town and county, reaching South, as a regularly contributor to the magazine of that name, and a familiar name in Indigo Dreams Reach magazine. His reputation as a fine poet spread westwards too – to the shores of Ceredigion and his beloved Borth. Danielle Hope of Acumen liaised with CPS ahead of including Michael’s poem ‘March Morning’ in edition 113 of Agenda, together with words of remembrance for a much loved and respected poet.

Other Activities

As well as poetry, my artistic endeavours in 2025 continued to include photography, mostly of the countryside and wildlife of the Gloucestershire/Worcestershire border, with occasional forays into Wales, and regular close-up photography of the Moon in its various phases. My photographs have appeared in several of the previously mentioned Cheltenham Poetry Society anthologies, as well as local calendars. This year, I was really pleased to be able to combine poetry and photography in the event in Evesham on 28 October.

Since the middle of 2024, I have also been trying my hand at drawing and painting, attending a weekly art class held at Elim in Cheltenham, run by Rose. And since mid-2025, I’ve joined another weekly class held at St Marks in Cheltenham, co-led by Jean and Gill. Both groups are supportive and friendly, the former specialising in water colour, the second majoring in acrylics. The Elim group held a summer exhibition in July, where over 100 paintings by the artists in the group were on display, the majority for sale with proceeds destined for Cheltenham Food Bank.

I had three landscapes and two animal paintings for sale … and a kingfisher painting based on one of my best wildlife photographs from the year. Here are the six exhibits of mine from that event: kingfisher, deer, fox and cub, winter scene, cottage in the country, and cottage in an imaginary landscape.

In addition, a variety of desk calendars have been produced for 2026, with thanks to Bean Baker of Elim. One of the calendars includes a watercolour of mine, and another of which includes three of my paintings. The subjects of these were a red squirrel, a robin, toadstools and autumn leaves. Thanks to Bean and Rose, and all other members of the Art Club for their friendship and encouragement.

The St Marks group also exhibits paintings at various times of year in the hall where we meet, which is widely used by other groups, notably Cheltenham Ballroom Dance School, and so these paintings get excellent visibility! I was pleased to have an acrylic painting in the autumn exhibition, featuring another squirrel, and two paintings in the Christmas exhibition: another robin, and a row of colourful Christmas stockings. With some trepidation, I look forward to next term, when the project for the next exhibition will be the human form and portraiture. Now, that will test my ‘beginner’s luck’!  The last session before Christmas took the form of a ‘bring and share lunch’ … and I was invited to share a poem, choosing a new poem, ‘Ways of Seeing’, which features an imaginary visit to an art gallery. It seemed appropriate and went down well with the other artists in the group.  I do love opportunities such as these … to combine the arts. Thanks again to Gill and Jean, and all the other members of the group.

All year, I have also enjoyed cryptic crossword sessions led by Melanie Branton over messages … and Zoom, where some real crossword whizzes come together to solve the ingenious puzzles created by Melanie. I was very much a novice to start with, much better at intuiting answers than actually working out the clues to point to their solution. But Melanie’s excellent hints and tips over the weeks and months, and especially the practice crosswords she provides, ahead of letting us have a go at ‘the real thing’ have helped a great deal. Melanie is very patient, encouraging and enthusiastic, and the rest of the group is friendly and supportive, with just the right amount of competitive spirit! Thank you, Melanie, and everyone in the group, for encouraging my latest hobby.

A Happy New Year

Well, that’s my round-up of 2025. Here’s to a productive, accomplished, fulfilled, rewarding, healthy and wholly positive 2026 … for us all, whatever our artistic endeavours, and however we spend our time.

2017 Poetry Thanks and Praise

A Bumper Year

2017 was an exceptional year for poetry – in all contexts and at all levels.  Here is a record of my poetry-related activities and achievements during the year. But, much more importantly, here is a record of people I am grateful to, and things I am thankful for in the world of poetry.

The Good Dadhood Project

I began this online project on 1 January 2017, looking to publish a body of poetry celebrating Father’s and Fatherhood. It was to be my way of saying “Thank you” to – and praising – fathers who often don’t receive the appreciation and recognition they deserve.

The project exceeded all my expectations in the number of poems and poets published in the 6 month’s to 17 June (Father’s Day) – the culmination of the project. Thanks to all the contributors to this project which aimed to be as inclusive as possible. It resulted in a fine body of poems in honour of Fatherhood … by a fine body of poets.  https://gooddadhood.com

41 poets contributed. Thank you to each one …
Kathryn Alderman 
David Ashbee 
Carole Bromley 
Kevin Brooke
Sarah J Bryson 
Helen Burke 
Martyn Crucefix 
Stephen Daniels 
Janet Dean Knight 
Annie Ellis 
Jennie Farley 
Angela France 
Chris Hardy 
Angi Holden 
Tamara Jennette
Sue Johnson 
Sharon Larkin 
Sarah Leavesley 
Mandy Macdonald 
Maggie Mackay 
Laura McKee 
Frances March 
Rufus Mufasa
Terry O’Connor
Matthew Paul
Jeff Phelps 
Nicky Phillips 
Mat Riches 
Belinda Rimmer 
Dee Russell-Thomas 
Finola Scott 
Rebecca Sillence
Jayne Stanton
Matthew Stewart 
Carl Tomlinson 
Roger Turner 
Chris Willis
Bob Woodroofe 
Paul Wooldridge
Aaron Wright 
Dorothy Yamamoto

Poems published: 76
Photos: 14
Visitors to Good Dadhood: 1776 (as at mid-June 2017)
Number of views: 3963 (as at mid-June 2017)
Number of countries viewing: 44 (as at mid-June 2017)
Top 10 countries viewing: UK, US, Canada, Spain, Ireland, Australia, India, China, Germany, France (as at mid-June 2017)

The Good Dadhood project received encouraging feedback along the way, for example:

• “I’ve loved Good Dadhood … both being involved and reading the many and varied contributions”.
• ” … lovely project …. So refreshing to read celebrations of fathers and snapshots of their positive influences . An antidote to darker works where the focus is on blame and hurt”.
• “Thank you … for giving voice to love.”
• “… thank you for Good Dadhood … It’s been excellent!”

Thank you to Rebecca Sillence in Cheltenham Library for arranging for a display about the project, to appear in the Children’s Library during the Father’s Day period, and for featuring three of the poems from the project in large-format posters in the Children’s Library, prominently displayed.

Thank you to everyone who provided positive feedback on the project, which proved beyond doubt that it was a project worth pursuing.

Poetry Café – Refreshed, Cheltenham

Poetry Café – Refreshed is now in its third year, offering the opportunity of hearing an excellent poet read, and an open mic. ‘Refreshed’ has gone from strength to strength since it was launched in the summer of 2015.  Thanks are due to Vickie Godding and all the staff at Smokey Joe’s, Bennington St – a unique vintage and retro coffee bar, with an excellent ambience for performing poetry. We appreciate being able to hold Refreshed at Smokey Joe’s and are grateful to the staff for looking after us so well on the third Wednesday (usually) of every month. As the internet-face. ‘booking agent’ and general organiser of Refreshed, I owe a big debt of gratitude to Roger Turner for hosting on the night, controlling the finances, and providing sage guidance and advice about which guest poets to book. Also, a big thank you to everyone who has taken the mic during 2017, either as a guest poet (see list below) or at the open mic.  I’m also grateful to Tony for the scores of photographs and video clips taken at these events that help us to provide a pictorial record for participants.

We’ve been thrilled to welcome the following guest poets during 2017, bringing us quality and variety:

David Calcutt – January 
Stephen Daniels – February 
Jennie Farley – March 
Sam Loveless – April 
Michael W Thomas – May 
Stuart Nunn – June 
David J Costello – July 
Jeff and Dan Phelps – August … with Dan’s wonderful music
Angela Topping – September 
Matthew Stewart – October 
Kate Noakes – November 
Ann Drysdale – December 

Each guest poet brought us a valuable, entertaining and unique contribution, for which the Refreshed crowd are grateful and appreciative.

A personal ‘special mention’ for Ann Drysdale who travelled from Wales to be our guest poet on a dark and cold December night, and who, after returning home, speedily posted me a copy of one of her books because the last one was sold at the event. I am indebted to Ann for her friendship, former mentorship and on-going encouragement in poetry. Thank you too to Angela France for making Ann’s – and Otis’s – overnight stay in Cheltenham possible.

Next year we are looking forward to JPDL (January), Ash Dickinson (February), Gareth Writer Davies (March) and Gillian Allnutt (April) – with further bookings in the process of being confirmed.

Selecting for South Magazine

I was thrilled to be asked to be a co-selector for the poems in issue 56 of South Magazine, along with fellow CPS member, David Ashbee. I can’t express how much I enjoyed that task – and how impressed David and I were at the standard of submissions. Thank you to Patrick Osada and the South Management Team for having me as a selector, and to David for proposing me. It also led to being asked to read a handful of poems at the launch event for Issue 56, with Dave, in Newbury in October. It was wonderful to meet poets I had only been aware of from the Internet/Facebook until then.  I was especially pleased to meet Nicky Phillips at last. Thank you to South Magazine that being a selector also resulted in a poem of mine – End of Season – being included on the South Magazine website.

Competition successes

I was pleased  that both of my entries for the Indigo Dreams pamphlet competition made the longlist – thanks to Ronnie Goodyer and Dawn Bunting for their (blind) adjudication. I was subsequently delighted that one of these pamphlet entries – ‘Interned at the Food Factory’ – was highly commended in the competition .. (Stop Press January 2018 – I can now share the amazing news that INTERRED AT THE FOOD FACTORY is to be published by Indigo Dreams – a big  thank you to Ronnie and Dawn).
I was thrilled to be a winner in the Amaryllis Christmas/New Year Poetry Competition. Thank you to Stephen Daniels for the lovely surprise and super prize: publication of the poem – Good Things Jar – on the Amaryllis website on New Year’s Day … and three poetry collections of my choice (I chose the latest collections by Pascale Petit, Michael Simmons Roberts, and Martyn Crucefix. They arrived in record time, thanks Stephen!

Thank you to Jan Fortune of Cinnamon Press for running the Debut Collection Competition and for publishing 10 of my poems, as one of the “final five” in the 2016 competition, announced early in 2017. The poems appeared in the Cinnamon Press anthology published in September 2017, alongside 10 poems each by Mick Evans, Liz Hayward and Vivienne Tregenza and individual poems by shortlisted poets. I was thrilled to be invited to read some of our poems from the anthology at a very well attended event with Liz Hayward on Poetry Day, 28 September, in Woburn Sands, Buckinghamshire.  Thank you to Liz for arranging the event, and the warm and generous reception from an appreciative and poetry-friendly audience, evidenced by the discussions over the book-signing. Thank you to Mick Jones and Tony for taking photographs. Thank you to Liz for the superb organisation and outstanding networking skills that made the event so well-attended and successful. Proceeds from anthology sales were donated to a local hospice. A reciprocal event, with Liz coming to read in Cheltenham Library on 10 November, with Cinnamon poet Lesley Ingram also joining us from Ledbury to read from her collection Scumbled,  was not as well attended as the Woburn event, but thank you to those who came – including David Clarke, Jennie Farley, Roger Turner, Michael Harriss and others including Liz’s friends.  And thank you again to Rebecca Sillence and Cheltenham Library for arranging and hosting the event. I was pleased to be able to donate proceeds from anthology sales on this occasion to Cheltenham Library.

A pamphlet entry of mine was also long-listed in the Cinnamon Press Pamphlet Competition, May 2017

Thank you to Brett Evans for running the Prole Pamphlet Competition – and thank you to judge Fiona Pitt-Kiethley for awarding my entry runner-up status, together with some very encouraging feedback. Another near miss!

I was also pleased to be commended in HappenStance Competition 16 (Dream) with Angi Holden & Hilary Robinson. Congratulations to winner Peter Kenny. Thank you to adjudicator J O Morgan and – of course – to Helena Nelson.


Poetry Published in 2017

In print

My poems Reaching for the Remote and Decisive Action were published in Prole 22, in May 2017, and my poem Girl on a Motorcycle, 1967 appeared  in Prole 23 in August 2017.  Thanks to editor Brett Evans

Poems View from the benthos, Under observation, Damsel dancing, Shaggy ink caps, Aquarium, What passes between, Bowerbird, Departure 1st April, Expanding universe and Fireworks were published in the Cinnamon Press anthology published in September 2017. With thanks to Jan Fortune.

My poem Therianthrope appeared in the Clear Poetry anthology 2016, published in January 2017, edited by Ben Banyard.  Thank you Ben for the great work you did with Clear Poetry.

Thank you to Paul Vaughan for publishing my Poem Grave in Algebra of Owls anthology in January 2017

On-line

Thank you to Stephen Daniels for publishing my Poem Lone Wolf  oAmaryllis (February 2017)

I was pleased to have been an early contributor to the newly-minted Atrium magazine with my poem On Seeing Bredon.  Thank you to Claire Walker and Holly Magill for including it.

I was happy to learn that my poem Akin to Déjà Vu in response to a photograph at the Mary Evans Picture Library in London, was to appear in the Words and Pictures feature on the Library’s website in April.  Many thanks to Gill Stoker for including it.

I was thrilled to have a poem. Birds do Mourning Well – and a photograph – in Riggwelter Issue 3. With thanks to editor, Amy Kinsman.

Thanks to Kate Garrett-Nield for publishing my poem 1024 Homage to Incubus in Issue 8 of Picaroon in May.

In February my ‘scary sonnet’ Pandafeche was published on the Fantastic Beasts webpage of Ledbury Poetry Festival, ahead of the 2017 Festival. Thank you to Ledbury Poetry Festival.

Thanks to South Magazine for publishing my poem End of Season on the South Magazine website, as a co-selector for issue 56

I became a fan of Visual Verse in September, and ended the year with four poems – Bandera, Divided by a Common Language, Under Surveillance and Higher Being – published on the site, for September, October, November and December respectively. https://visualverse.org/writers/sharon-larkin/

Forthcoming

Thank you, R K Wallace and Clochoderick Press for accepting one of my poems, A Dim View of Austerity, for the inaugural edition of Laldy, due for publication early in 2018 –  I appreciated the very fast response to my submission.

Thank you again to Claire Walker and Holly Magill at Atrium – for taking my poem Thé avec Imogen et toi for publication early in 2018.

And thank you, again, Stephen Daniels for publishing ‘Good News Jar’ on Amaryllis on 1 January 2018!

I’m more than grateful for the substantial body of published work I have accumulated in recent years, on-line and in print, and can cheerfully be thankful for the small handful of rejections received in 2017. It has, in respect of pamphlets and collections, been a year of ‘near misses’ but I have learnt more about publishers’, selectors’ and editors’ preferences in the process … and have high hopes of 2018!

 

Cheltenham Poetry Society

Kickstart Workshops

In 2016, I was grateful for a year’s respite as Chair of CPS – thankful that Roger Turner took back the role for the year.  With renewed energy, I became Chair again in January 2017 and set about launching a monthly series of Kickstart workshops to encourage people to write regularly and prolifically – following Jo Bell’s book ’52, Write a Poem a Week, Start Now, Keep Going’ published by Nine Arches Press.  The workshops were well attended, especially in the first half of the year …  to the extent that we needed to book a bigger room. https://sharonlarkinjones.com/2017/01/05/a-poetry-kick  I also started a Facebook group for ‘Kickstarters’ to post poems – for feedback by other members of the workshops, in between monthly meetings. By mid-year, competing priorities and illness, had had an impact on attendance, but I am particularly grateful to Gill Wyatt, Annie Ellis and Alice Ross, for sticking with the project until the cold, dark evenings of December.  And thank you too  to Michael Harriss and Claire Thelwell who joined the workshops later in the year; CPS is glad to have them as new members. Thanks also to Marilyn Timms, Howard Timms, Michael Skaife d’Ingerthorpe, Samantha Pearse, Kathryn Alderman, Frankie March, Penny Haworth, Gill Garrett and Judith van Dijkhuizen who attended the workshops during the year. Thank you to everyone who took a turn to provide refreshments, and … a special thank you to Gill Wyatt for the beautiful tulips I received at the last workshop – a breath of spring in darkest December. Lovely!

Writing Group and Reading Group

Our long-standing Writing Group for experienced poets continued to be the backbone of the Society, and we also continued with our ‘Poets Alive’ series within the Reading Group, holding individual evenings to focus on the work of T S Eliot, W H Auden, Gillian Clarke, D H Lawrence, Seamus Heaney and  W B Yeats. In the intervening months, we considered poems by ‘the great and the good’ on specific themes.

The Annual Awayday and Annual Lecture

Augmenting these three meetings a month were various performance opportunities (see below) and – the highlight of our programme for the past four years – the Annual Awayday writing retreat at Dumbleton Hall on the Glos/Worcs border in May. We are grateful to Dumbleton Hall staff, especially conference organiser, Terry Hall, for all they do to make these retreats a success, and thanks were especially due in 2017 to CPS stalwarts David Ashbee and Stuart Nunn for devising and running the writing exercises (on wood, trees and contemporary landscapes) which provided an inspiring set of prompts for our writing Awayday. https://sharonlarkinjones.com/2017/06/28/cheltenham-poetry-societys-annual-awayday-2017/
The excellent news for 2018 is that we will be holding our fifth Awayday in May at – where else? – the wonderful Dumbleton Hall.

A special thanks to David  Clarke who gave an excellent illustrated talk on Landscape in Post-war German Poetry for the CPS Annual Lecture in March – an enjoyable and informative evening. Thank you also to David, for providing an article on the same subject for Cheltenham Arts Council’s Perspectives magazine.

CPS Performances and Collaborations

Two highlights of CPS’s performance calendar were in May and October 2017 and featured poets who had contributed to the Cheltenham 300 anthology CPS published in November 2016, to commemorate Cheltenham’s tercentenary as a spa town.  I am grateful to Stroud Print for the excellent work they did producing this anthology for us – illustrated with a wealth of photographs (mostly taken by Roger Turner and me), which were projected during the readings in May and October 2017. The first of these was at St Andrews Church in Cheltenham during Cheltenham Poetry Festival and we are grateful to Anna Saunders for including the event on the festival’s programme, and arranging publicity and ticketing. Thank you to Roger Turner, Michael Newman, Robin Gilbert, Sheila Spence, Belinda Rimmer, Annie Ellis, Howard Timms, Marilyn Timms, Alice Ross and Michael Skaife d’Ingerthorpe for reading with me at this event. https://sharonlarkinjones.com/2017/06/28/cheltenham-300-poetry-reading-1
The event was followed by an excellent talk about Dylan Thomas – and again thanks to Anna Saunders for a great Cheltenham Poetry Festival programme in 2017. I found the Indigo Dreams showcase at the Playhouse, including Anna, Mab Jones and Bethany Pope particularly memorable.

The second Cheltenham 300 illustrated reading of 2017 was during the Times and Sunday Times Cheltenham Literature Festival in October, and I was grateful to Becca Di Francesco, Literature Festival Programme Co-ordinator for making the arrangements for our reading at this prestigious festival, including audio visual technical support, hospitality and generous remuneration.  We are also grateful to George at Waterstones for taking a supply of the Cheltenham 300 anthology for sale at the festival. Thank you to Roger Turner, Michael Newman, David Ashbee, Stuart Nunn, Robin Gilbert, Sheila Spence, Belinda Rimmer, Annie Ellis, Howard Timms, Marilyn Timms, Alice Ross for reading with me at this event and making it such a success. Thank you to Cheltenham Literature Festival also for an outstanding poetry programme this year.  I attended an excellent event featuring Helen Mort on poetry in translation, a celebration of Thom Gunn, the Picador Showcase featuring Don Paterson, Rachael Boast, Ian Duhig, Annie Freud, Jacob Polley and Hollie McNish. and an event featuring outstanding readings by Pascale Petit from her collection Mama Amazonica and from Michael Simmons Roberts from his collection Mancunia.  

Thank you to Peter Keeble of South Magazine for a favourable review of the Cheltenham 300 book in issue 56 of South Magazine, and to Patrick Osada for taking the book for review. Singled out for a mention in the review are poems by Belinda Rimmer and Roger Turner who respectively wrote the reviewer’s favourite poem and favourite line from the book. Sheila Spence and I also received a mention in the context of the poem/photo combinations in the book.

I was also grateful to Gloucester Poetry Society‘s Ziggy Slug and Jason Conway for inviting CPS to read at the inaugural Gloucester Poetry Festival in October.  This included Roger Turner, Michael Newman, David Ashbee and me, reading at Feline Frolics, in the Black Cat Bar at the Dick Whittington in Gloucester.  I was also pleased that Ziggy and Jason offered CPS members performance opportunities at ‘Villanelles’ nights at Waterstones in Cheltenham – and thankful to Rose Chanter of Waterstones for arranging this great venue. I read there in May, August and October – and thank Sarah Snell-Pym, Jason and Kurt Schroeder for photographs taken during these events. Other CPS members who read at Villanelles included Michael Newman, and Belinda Rimmer who was deservedly invited to do a guest slot. Looking ahead, I am grateful to Ziggy and Jason for offering CPS the opportunity to read in Gloucester Library during GPF’s second Festival in October 2018. All in all, CPS is delighted to maintain a cooperative and collaborative relationship with GPS/GPF and I wish them every success in all their activities.

I was also asked by Rebecca Sillence of Cheltenham Library if CPS members would like to read at their monthly lunchtime Poetry Café on a couple of occasions during the year. In May this included Michael Newman, Gill Wyatt, Belinda Rimmer, Jennie Farley, Howard and Marilyn Timms, Frankie March, Michael Skaife d’Ingerthorpe and me. Thank you to Rebecca and Cheltenham Library for these opportunities. We were also invited by Rebecca to read in October, in collaboration with students studying for degrees in Creative Writing at the  University of Gloucestershire.  We are grateful to Angela France for arranging their participation. CPS participants were Belinda Rimmer, Michael Newman, Roger Turner and me.

I was also pleased that CPS had the opportunity to read at Evesham Festival of Words event in May, along with with Sue Johnson, Bob Woodroofe and CPS members Belinda Rimmer and Annie Ellis and we are grateful to FOW leading lights, Sue Ablett and Sue Johnson for organising this opportunity for us.

CPS Performances also included two readings in February and August at the Whittington House Nursing Home in Cheltenham. I am grateful to Jennie Spencer for inviting us to participate, and to poets Michael Newman, Gill Wyatt, and Alice Ross for reading with me at these events.  The second one also included a fun activity to encourage residents to talk about their ‘favourite things’, and collaboratively to write a poem containing as many of these as possible!

Altogether the year was a successful one for CPS, and I’m pleased to say that I have been reelected Chair for 2018. Two innovations I am keen to implement for the next twelve months are a greater focus on reading contemporary poetry, and fewer writing workshops (5 instead of 12 over the coming year) since there is ample workshop provision in the town. There will be another Awayday – in My 2018.  Thank you to Alice Ross  for the box of chocolates and book – lovely presents to receive at the end of the year.

Finally, thank you to fellow CPS committee members, Roger Turner and Michael Newman, for their continued support, and especially to Roger Turner who will be taking over as Treasurer next year from Gerald O’Shaughnessy who retires after several decades of excellent service to CPS.  This was acknowledged in March at the Cheltenham Arts Council award ceremony, when Gerald received a citation for his long-standing service to poetry.  CPS is also grateful to the Executive Committee of Cheltenham Arts Council, and Cheltenham Borough Council, for its support over the years, for example the grant awarded to Cheltenham Poetry Society for the purchase of microphone and amplication equipment to enable the Society to perform in a wider variety of venues than formerly.

Poetry in Cymru/Wales

Anyone who knows me will know about my passion for Wales and Welsh language, literature and history.  Thanks, therefore, to the following people who gave me a good reason, or excuse, to cross the border in 2017.

I was very pleased to attend the Cinnamon Press residential week in the Conwy Valley in January 2017.  Thanks to Jan Fortune and Adam Craig and other members of the course. 

Thanks to Brett Evans and Phil Robertson, editors of Prole Books, and Kate Garrett Nield editor of Picaroon, for arranging a poetry reading on Llandudno Pier in August 2017.  It was great meeting other poets and making lasting friends there.  A special thank you to Brett, Phil, Kate, Paul Waring, Pat Edwards, Angie HoldenHolly Magill and many others for their continuing (Facebook) friendship and poetry encouragement.

I also had the delight of translating the poem The Mill at Trefin by Crwys in May, thanks to Jennie Way, and Chris Hemingway who became aware of the poem while visiting Trefin in Sir Benfro/Pembrokeshire – and looked in vain for a translation. I was very pleased to respond and thank Chris and Jennie for this opportunity to learn about Crwys and his work.  This led, later in the year, after I had put the translation on this blog, to an unexpected invitation from the village of Trefin to contribute to a booklet being prepared for the 175th anniversary of the chapel there in May 2018 – when Crwys (a minister as well as a poet) will be celebrated.  I am thrilled that my translation will feature in the booklet.  I have also been invited to attend the anniversary weekend and thank the chapel at Trefin for this opportunity to be involved.  This all came about because of the wonders of the Internet and Google search – as a result of which my translation came to the notice of the good people of Trefin! Miraculously, it also let to an approach from a grandson of Crwys himself, currently living in Australia, who was researching his ancestor and looking for information on (other) poems by Crwys. This led to my acquisition – from Abe Books and elsewhere – of pretty much a full set of Crwys’s published works – and an as yet unfulfilled  intention to translate more of his work. Despite the downsides of the Internet, there are wonderful advantages to the global interconnectivity it facilitates!  Thank you, Internet!

I was delighted to be asked to read at a Welsh-flavoured evening of poetry and music at New Bohemians, Charlton Kings, Cheltenham in February – and thank Jennie Farley and Su Billington for this opportunity.

In March, a long weekend in Cardiff included a guided tour round the Millennium Stadium – poetry of a different kind (and as thrilling and metaphor-inspiring as many an anthology out there!)  Diolch o’r galon, Bois!

In June, I was pleased to stay at Penrhyncoch in Ceredigion, principally to visit the Dyfi Osprey Project, but also taking advantage of the fact that  Welsh poet Dafydd ap Gwilym‘s birthplace is in the Penrhyncoch area. I found a memorial stone inscribed to him. In previous years, I’ve been thrilled to visit Ystrad Fflur/Strata Florida, redolent with poets, princes and heroes of the past.

I was delighted  to visit to the First World War poet, Hedd Wynn‘s, home, Yr Ysgwrn, Trawsfynydd, in August (on the way back from the Prole/Picaroon gig in Llandudno).  Thank you to Hedd Wyn’s nephew, farmer Gerallt Williams, for patiently chatting to me in Welsh.  It was an unforgettable visit which was timed almost perfectly with the commemorations of Welsh losses at Passchendaele.

I was pleased to revisit Dylan Thomas’s haunts in Laugharne in August, including the Boat House, Writing Shed, the Castle, Milk Wood and Sir John’s Hill.

I need to thank the hosts at accommodation, hotels and B&Bs in Rowen, Penrhyncoch, Llanrwst, Llandudno, Laugharne, Dinas Mawddwy, Llanyre and Cardiff that gave us some memorable and enjoyable weekends in Wales during 2017!

While on the subject of ‘Wales’, I was delighted to have more than 20 people in two classes (beginners and improvers) I tutored in Ledbury from September – November.  Thanks to Lyn Goswell for arranging the venue for these and for doing all the communication with students and organising of finances. I might do more of this in 2018, poetry commitments permitting.

Cheltenham Arts Council

As a  recently-appointed Chair of Cheltenham Arts Council, I am especially grateful for the support of  President, Edward Gillespie, his predecessor Graham Lockwood and each member of the Executive Committee.  I am also, pro tem I hope,  the Editor of CAC’s New Perspectives on-line magazine – I co-edited the June – Sept edition with the previous editor Hollie  Smith-Charles (thank you!) and edited the October – January edition solo.  Thank you to Chantal Freeman for preparing it for the CAC website.  Listings for CAC associates’ events are included in each issue of the magazine for which I am grateful to Alice Hodsdon.

I am delighted with the insight being New Perspectives Editor gives me into the rich variety of arts activities in Cheltenham.  I was particularly grateful to Chapel Arts for the interview/article for New Perspectives – my first after becoming editor of the new on-line version of the magazine. Thank you to David Elder and Kathryn Alderman who have already given me input for the next issue covering February – May (due to be published by the end of January).

In March 2017, I was delighted to read the citations for awards on-stage at the annual prize giving ceremony at The Playhouse in Cheltenham, attended by the previous President of CAC, Graham Lockwood, and also the Mayor of Cheltenham. This annual event acknowledges outstanding achievements and excellence in music, performing arts, visual arts, literature, language and history in Cheltenham – and this year also recognised the Suffolk Anthology Bookshop, Cheltenham, for its contribution and support to voluntary arts in Cheltenham. A special thanks, therefore, to Helene Hewett whose splendid bookshop hosts so many literary/poetry (and other) events throughout the year. I was also pleased to have been invited to attend the Cheltenham Camera Club prizewinners’ exhibition at Parabola Arts in April.

As CAC Chair, I was also invited to speak at the Cheltenham Christian Arts Festival launch event as Cheltenham in January, attended by the Mayor, and ‘in my own right/write’  I read some of my poems at the Poems and Pints CAF event open mic at Cheltenham’s Frog and Fiddle in February.

Thank you to John Oldham of Radio Winchcombe for the invitation to be interviewed by him on air in April, talking about Cheltenham Arts Council and Poetry Society – the feature subsequently rebroadcast on BBC local radio in the South West i.e. BBC Radio Gloucestershire, Bristol, Wiltshire and Somerset.  I really appreciated this opportunity, so thank you again, John.

I get invited to a variety of things as a result of my involvement wit Cheltenham Arts Council, and was delighted to receive a complimentary ticket for the Fresh Art Fair at Cheltenham Racecourse in May.  A wonderfully inspiring event, offering much temptation to purchase!  I’m looking forward to 2018’s Fair, but my plastic cards might not be!

Finally …

I was grateful to pastors Luke Goodway and Dave Wellington for giving me permission to share my poem Something for Christmas in the Christmas Eve Carol Service at Cheltenham Elim – and I thank Manel for the suggestion.  It was a honour; to God be the Glory.

A huge thank you to Gill Wyatt, Ruth Martin and Fran Bazeley for your much-valued friendship, prayer and mutual support. You are special people.

TYJ